targeted pr

I posted this today on the Yahoo Self Publishing group in response to a frustrated author.

Al wrote:

” I wonder if it as simple as perhaps we are not asking people to buy our books? You can get the freebie advertising but it is like throwing chum to fish. You might get their attention but unless you hook them by the lip you are not going to catch any. …[]… Musicians and published authors actually go out and play their music or do book signings. Buddy Holly hated touring (and it killed him) but his record sales needed the public appearances.”

I don’t think asking people to buy your book is simple at all. I don’t think it’s as effective as tantalizing them and persuading them.

Most authors and even most publishers devote very little time and effort into the identification, targeting, messaging, acquisition and activation of buyers for their books. Yet figuring this out is crucial.

Even with the incredible technologies available online, people don’t know how to create the messages and communications that pull people in. Instead, they either do very little (as in, build it and they will come), or they push the product, find out how hard it is, and then give up because so few people buy the book.

You can do a lot with the media and technologies online if you seek to understand how people buy or get engaged with your books, products or services.

1. People discover a need, or want to solve a problem.

2. They begin a search usually online, but it can happen on social media like FB or Twitter or any number of other places (including discussion groups like this one)

3. But they really don’t look very hard. They only pay attention to the first few things they discover or the first few recommendations they get from people they have familiarity with.

4. People also tend to go and hang out where they are invited, accepted, entertained or educated.

Now for every type of book, product or service, there are thus hundreds if not thousands of places to search and become associated with.

But as most people now know, you can’t easily sell product and survive the act of asking. You must provide helpful, non-sales laden information, guidance, education or entertainment with subtle links that lead you back to your site. That’s where the real sales process then begins.

So what do you do?

1. Determine who your audience really is! Identify who your best targeted customers are and then figure out where they hang out. Your goal is to then learn how to be prominent and highly regared wherever they hang out.

2. You need to identify the type of content that will turn them on. Is it action laden excerpts? Is it drama? Is it illustrations, games, videos, or helpful tips?

3. You need to learn how to communicate so that your content works wherever you place it. The post for a blog is not automatically what you place in a tweet. The content and the trail of breadcrumbs has to fit the medium.

4. You need to participate in the communities meaningfully. You answer questions and provide feedback, offer tips, advice, stories, humor, experience and enthusiasm, so that people are inspired and get interested and so that you trigger the action to go to your site to explore your product.

5. You create content that people want to link to, want to share, and want to give to others.

This is what you try to do with media when you do publicity. Only now, EVERYONE is a publisher who is trying to make money off subscriptions and/or advertising.

If you do it reasonably well, you get dozens or articles or posts.

If you do phenomenally well, you go viral.

You don’t just write in a vacuum. You develop, test, deploy, analyze and improve.

My simple acronym for this process is this: CACA

C – Create

A – Ask

C – Create again

A – Ask again

Once you prove the message works in your backyard, only then can and should you use technology to try to repeat the success widely.

Your objective is to keep on placing things before YOUR people so they can decide to participate, play or purchase.

But just realize that this is hard to do. Think about it! When was the last time you read the newspaper, and went and grabbed your credit card.

Yet very often, a single piece of information triggers a desire that brings something to mind that does indeed get you to take action. Then and only then do you search for the contact information, the email, the phone or the order form.

Few authors realize that creating the book is only the beginning. To be successful they have to find satisfaction in connecting with people again and again till they get enough action to pay for their investment in the work they created. It’s not just mechanics and technology.

It’s not just fine art or excellence in creative writing.

There’s persistent, dedicated systematic communication outreach that has to drive people to action.

Success often lives or dies with the close monitoring of the one-to one relationship developed between the author and his or her audience.

That is where the author must determine “what did I do and say that turned you on?”

Learn this and you can use the technologies.

Fail to learn this and nothing happens.

Publicity Planner for 2012

Every year I create a forward-looking publicity calendar to help identify opportunities for people which is available in a free pdf file download.

It contains a lot of unusual holidays so that you can get creative, think ahead, and identify ways to tie-in to calendar events well in advance of the day they occur.

Here’s the link to the Publicity Planner for 2012:

• http://www.directcontactpr.com/files/files/PublicityCalendar2012.pdf

• Snip URL: http://goo.gl/YtBUi

Share freely. Enjoy!

I cannot believe what is coming across the wire. So may people are still blasting out news releases that lack the essential information media need. What a waste.

If you want your news release to be maximally effective, it has to answer the primary questions for the media:

1. How many people in my audience are going to be interested in this?
2. What’s in it for my audience?
3. How easy is it for me to use this information (e,g., how much does it cost me to do this?)

Then it must present your proposed story, the facts needed to support and flesh out the story, your ideas, advice, or comments, your skills, experience, credentials and accomplishments in terms of that objective.

You have to offer media everything they need to run with the story using you and the resources you’ve arrayed if you are to meet their needs in today’s fast paced environment and the ever changing technologies we get to utilize.

Mini brag and congratulations to client Glen R. Sontag, author of Anything Other Than Naked, for being featured in a half page article on Wall Street Journal on Thursday July 14, 2011.

Read the article here: http://snipurl.com/13e54f

He made p. 2 in the Personal Journal section in the On Style column. The print version of the article takes up ½ page and includes 5 books on fashion which are reviewed. His book is the most prominently displayed in the full color photo.

ANYTHING OTHER THAN NAKED is a small, illustrated 86-page book with separate chapters on how to evaluate, select, and wear each item of clothing—from suits, shirts, ties, and trousers to sweaters, belts, shoes, and outerwear.

The best quote from the article highlights why other men should trust his advice:

“Gentlemen might ask: Why take style advice from Glen R. Sondag, a former financial adviser and U.S. Air Force captain? Well, for one thing, because his mother sewed and he helped her, so he knows his way around wool, cotton and silk. More to the point, Mr. Sondag has been working outside the fashion world for 35 years. His slim volume, “Anything Other Than Naked,” is full of practical, direct advice.”

I love it. He helped his mother sew.

I worked on the project with Jim and Lynda O’Connor. We created a two page problem solving tips article for his outreach effort and made some phone calls. We sent out the news release twice a two week period in March 2011. So the time between news release transmittal and media publication was four months. The custom media list we developed targeted fashion, clothes, men’s interest, and work/life. The WSJ was one of over 80 media requests or review copies acquired as a result of the outreach effort. The WSJ has an audited circulation of 2,117,796.

Glen’s author website http://anythingotherthannaked.com is worthy of inspection as a masterpiece of simplicity and beautiful design that matches his style and elegance. It is a great example of letting people see and know exactly who you are.

Kudos to Glen.

One of my clients expressed her frustration in getting her local paper to give her coverage for a children’s book. Her local paper was The New Orleans Time’s Picayune.

I offer up some of the techniques I use to help identify how to increase your chances of being successful with them and other newspapers and media who cover children’s books.

Use the 3 I Technique and the newspapers’ own search engine.

The 3 I Technique consists of 3 steps:

1. Identify a Success Story (and use this for a model for your own pitch).

2. Imitate It (line by line).

3. Innovate It (with your own information).

Now go to the target media that you want to be in.

I went to Nola.com since this is where you want to be, but you could use Google News, USAToday.com, the NY Times, or any media that you want to target.

Now search on your key words: children’s book

I used the singular (book) to capture both articles that use ‘children’s book’ and ‘children’s books’

Here’s the search:

http://search.nola.com/children%27s+book?date_range=m11

The first set of results included several years’ worth of articles so I used the advanced search engine option to narrow the results to the past 18 months only.

Now start studying the articles. Look to see what the editors write and publish, who the journalists are, what the articles contain in the way of information about the books, the authors, and their stories.

Make a list of the key content you see and realize that this list reveals both the editorial style and readership interests of the media you are studying.

Now use the 3 I Technique and start writing headlines, leads, sentences, paragraphs, and ends that mimic the articles you see.

If you use this process carefully, when you get through you have created a draft article that will very likely have all the characteristics of a feature story that looks like it came right out of the media you are using. You’ve done this on the first try without much pain at all.

Now polish it up and turn it into a news release. Send it to your target media.

You can also now use this same news release and send it to a custom targeted media list of other media.

There are about 2200 media that you can pitch that will consider stories about children’s books and authors in the US and Canada.

This is one of the best ways I know to be successful when you try for reviews and stories.

If all you do is seek a book review, you are narrowing your chances of getting media coverage. Book reviews occupy a very small portion of the overall publication. You have far greater opportunity for media coverage if you expand your horizons and look at other sections of the publications you seek to be in.

To avoid the risk and stigma of being classified as a self-publisher and experiencing the negative response associated with such a determination, you must first make sure that your book has the quality and content of a professionally produced product. This is a given.

Assuming it passes muster, then you must then bring into your pitch for media coverage, news angles and story content that goes well beyond what is covered on the book review pages. You must be totally aware of the type of news, educational information, entertainment information, and human interest data that is used in the other parts of the media publication (or tv or radio show) that you want to be in. Then you must consciously and strategically array and incorporate this type of data and information into your news release.

If you look over the stories in the NOLA search you will see that they do appear to be quite discriminating in what they choose to publish. But there are media coverage opportunities you can aim at. The big area of opportunity appears to be in local book events with a strong community involvement element.

To maximize your chances, you must identify the topics and the content of the articles that you see and then propose and present comparable content.

Now there is a diversity of content demonstrated in the articles. Learn from them. Identify from these articles the characteristics and information that is deemed newsworthy and do your best to present comparable information about yourself.

Just realize that no matter what you do, the media you are pitching to may still have a standard for “celebrity” that may be very difficult indeed to achieve. In the case of NOLA, if you look over the articles they publish on children’s book authors, you will see that the “celebrity” standard is indeed quite high indeed. In the past year, it does not appear that they have even written on article about a local author unless he or she was indeed a best seller or had “national celebrity” status.

You may think that you deserve to be there, but these media may simply still decide that you do not have what they are looking for to justify the coverage to their audience. Accept it and move on. Don’t get in a slump over the media you can’t please. They are making editorial decisions that keep them thriving economically as publishers. Realize that they are very sensitive to the character of their articles and editorial coverage. There are economic reasons that force them to maintain rather strict policies on what they can publish, so as to avoid any loss of revenue. The “self-publishing stigma” is one of those areas. Imagine the consequences of giving media coverage to low quality books. Understand what happens to subscriptions and advertising revenue if the audience decides, that was a pretty poorly done book you wrote about. The quality of the paper goes down if the quality of the content fails to stay at the levels that the paying audience expects and demands. So realize and understand the plight of your fellow publishers. They too are trying to stay alive publishing.

My advice is to try your best, allow yourself to fail, and move on. Stay focused on working with the media that will allow you to reach the people that matter the most to you. Like my client Andy Andrews says “what you focus on get bigger”.

So focus on getting beyond the book pages. Use the 3 I technique to bring your proposal up to the caliber and style of the media you want to be in.

Then present it to that media and all sorts of other similar media who will be interested in this sort of content. You will find that when you use these techniques to create a quality media proposal that contains the type of information, you will see other media respond to that quality content as well.

You can use this combination of tactics any time to maximize your media coverage and success.

Go for it!

Client was heading to meetings with the National Speakers Association and she asked me if there was anything I wanted to share with them about how to be most effective when pitching articles. Here’s what I suggested:

To be maximally effective with articles:

1. Do your absolute best to help the people they can help the most on the biggest most pressing problem facing them; and

2. Target the right media with exquisite care and realize that you only need to reach the media who can reach YOUR PEOPLE. No other media matters.

3. Deliver the problem solving content in whatever format the media wants it to be delivered so that it can be easily published and utilized.

Have a great time!

Question Posted on Independent Authors at Yahoo Groups.

>> Do book reviews sell book? Yes, and the review sites can prove it, because they get paid a percentage of the “buy-through” from Amazon. They don’t sell that many, and more nonfiction than fiction, but they do sell. And why not try to get our books reviewed? There are only so many options open to us. We can try to place an article in a magazine or newspaper, we can try to get book reviews, we can enter contests and hope for the best, we can do book club talks, and we can visit our local book stores and try to get signings. Why not try them all? I’d stand in front of Costco with a banjo and balloon hat if I thought it would help. I write books that I hope people will read. How they find my book is immaterial to me. I write books that I hope people will read. How they find my book is immaterial to me. < <

I just don't believe that it's smart to rely on the "proof that reviews work" for others and make the assumption that the same process will work for you.

I also believe that if you are writing to create a real business, then how people find your book is crucial to your survival and success.

There are many choices an author/publisher can make when deciding how to profit off one's intellectual property. Hope is not a strategy. Systematic carefully targeted communication to specific groups of high probability markets of people with money, with dedicated monitoring and continuous improvement is a strategy.

The Naked Cowboy stands in Times Square in his underwear playing his guitar.

That's how he communicates with HIS PEOPLE. He's built a successful nationally recognized brand doing this.

He entertains and stimulates sufficient numbers of people who buy his music.

There's a teenage kid with hair down to his knees who plays a screaming guitar a la Jimi Hendrix each day in Santa Monica who also is doing pretty well.

So maybe standing in front of Costco with a banjo and a balloon isn't such a bad idea.

If it works for you, do it!

YOU have to determine how you can reach and communicate with the people who matter to you. If what matters is sales, then that means you HAVE to know how you are communicating so that the action you produce is sales.

Look at this model:

Write a book. Self-Publish in ten ebook formats and POD. Have the book available at Amazon and Google and dozens or even thousands of other e-stores. Send the eBook to book reviewers by email. Get reviews. Sell books.

Sounds pretty good, doesn't it?

What if YOUR PEOPLE, don't read the reviews.

What if THE REVIEWERS, won't even accept the ebook.

System failure.

Yet this is what lots of people are doing. They write the book and pitch to a limited number of book reviewers. Then fail and stop.

I see this all the time. Sometimes the problem is the book. Some books simply aren't that good. This is one serious problem.

Sometimes the book is fine, but the author and the publisher don't take the actions needed to reach THEIR PEOPLE. And they don't have the stamina to go the distance. They stop before they learn how to turn THEIR PEOPLE on.

To me and my clients, this question is one that turns on return on investment. If the goal of writing and publishing is to produce sales, and there is only so much time and money to be invested in marketing, promoting and publicizing, then the determining factor is how many books can you sell?

People do write to try and make some money. You have to care about how people find out about you and your writing if sales are important to you. If you don't care, then there is very little chance that enough people will ever learn about you and buy what you have to offer.

My point is that YOU have to decide how to spend your time and what you receive from your efforts.

Book reviews are one option.

Feature stories are another.

You can embark on a program of speaking and or doing entertainment. People are successful in producing income and attracting attention that triggers action (e.g., sales).

Which tactic works the best for you? Do you know?

The LA Times article BOOK PUBLISHERS SEE THEIR ROLE AS GATEKEEPERS SHRINK (http://www.latimes.com/business/la-fi-gatekeepers-20101226,0,7119214.story) is pointing out that it is possible to create writings and develop audiences using the new technologies that are available. The article only hints at what JA Konrath and the other authors are doing to gain attention for their writings so that they do indeed sell books. The article says “In addition to Konrath, bestselling author Seth Godin, science fiction writer Greg Bear and action novelist David Morrell recently have used Internet tools to put their works online themselves.”

Right.

Internet tools.

This article fills people with hopeful and vague ideas that the future is here and that this type of success is going to become more commonplace.

And it may indeed for some.

BTW. Look at this article! It points out exactly what I am saying. It’s not a book review. It’s a human interest feature story. It is even a shining example of one of my favorite rules — the DPAA + H rule. It’s dramatic, personal, and tells stories of achievement in the face of adversity + humor.

So it does attract reader attention. It is emotionally engaging and even galvanizes people with visions of hope that they too can be a wildly successful author without being raked over the coals by classical mainstream publishers. It highlights the apparent simplicity of the new publishing economic model.

It also identifies the authors by name. It brands each one so that anyone who looks them up can now be exposed and potentially buy everything they have available.

Great article. This is an example of the very best type of media coverage authors can get.

Is it entertaining? Yes. Is it really helpful? Let’s look for the practical value.

Seth Godin and Stephen King can write just about anything they want and it will sell. They not only have created a huge national following, but they’ve each created consistent, high performing diverse platforms of communication that allow them to reach and sell directly to THEIR PEOPLE. They have created astoundingly successful communications systems that persuade people to take action.

Most people do not have these “Internet tools” in place. In fact, many authors write and publish without even thinking about how to reach out and touch someone, anyone. They don’t think about how to do so consistently, so that can run a writing and publishing business profitably and consistently.

The article doesn’t help most of us very much at all. In fact, the end of the article highlights what is identified as the biggest challenge to successful publishing:

“Indeed, the challenge in a world where anyone can publish a book is getting people to pay attention…. In a blog post titled “Moving on,” about his decision to self-publish, Godin wrote that “my mission is to figure out who the audience is, and take them where they want and need to go, in whatever format works.”

Seth Godin is talking my language. This is the field I work in. Targeted PR.

So back to reality.

You get to choose what you want to do.

And if you want to make money with your publishing, here’s my suggestion.

Follow the money.

The country is huge – in the US alone you have 330 million people. The potential is phenomenal. If you can develop a process for reaching people you can do very well. I believe you can even learn how to do this starting one on one in your back yard, anywhere.

I even came up with a cute little acronym which describes how to do this.

CREATE.

ASK.

CREATE AGAIN.

ASK AGAIN.

= CACA

Think about what you do that turns people on. Test it. Get a sale.

Ask people who reacted the way you wanted them to. Ask them, “What did I do that turned you on?”

Capture it. Record it. Document it. Then prove it.

If it works, do it again. Test it again. Improve it by asking again.

CACA.

Then repeat this process till you can stand in a room or present to 25 people and get half the people in the audience to hand you money.

Then use the many technologies you have at your disposal to present, broadcast and target YOUR PEOPLE with this proven message.

Decide what marketing actions to take and then document the sales and profits you receive.

Compare it to other actions you can take. Be systematic. Identify a pathway to profits. Determine if you have developed a process of steps that can be duplicated.

If it works, then do it some more. If it doesn’t, then stop and do something else.

More CACA.

Bring it on.

The goal of the news release it to get publicity and not to sell product.

My experience is that media view endorsements as marketing facts. I don’t believe that media care much about what other people think until they have determined that they are interested in the story first. Only then do the bio and endorsements act to validate that the author and the message are solid and can be trusted. They are not usually newsworthy in and of themselves (although there are no doubt exceptions, e.g., a Sarah Palin endorsement of a candidate).

Media are usually content based decision-makers who make their living publishing. So if you want to be in the media you need to help them do their job. But there are lots and lots of media and you need to give the right message to the right media. How do you do this?

First you have to know your book, author and content.

Then you have to identify your target audience.

To answer the question, “Can I reach this audience?” you ask, what do My People read watch and listen to, particularly when they are most receptive to taking the action that I want them to take?

That’s how you identify and target the right media. I use Cision to create these custom targeted media lists. Hitting the right media is one of the crucial steps because they are the only ones that matter.

Then you tailor your message to meet the needs of those media. To be maximally effective when you do create your pitch, you study these media and evaluate existing coverage for similar projects. You look over the possibilities based on what they do publish or produce, since this is how they make their living.

Then you create and give them a strategically written ready to go proposal for an article or a show that meets those needs using the very best content that the author and intellectual property you seek to promote has to offer.

That’s how you maximize your chances of success for any book, product, service or initiative. You give right media something newsworthy and value laden that’s designed to make them money their way.

This is a very difficult process. There is lots of uncertainty and if you mis-match the message and the target, you simply don’t get the best response.

So many people miss the boat and create general vague all purpose news releases that really are simply ads for the book. They don’t really even understand that media don’t care about the book. They only care about whether a news release pitch offers, news, education or entertainment that the audience will really enjoy, and that’s really easy to publish (e.g., doesn’t cost the media a lot of time, money or effort).

Media simply will not respond unless the pitch is really interesting and delivers exceptional value (news, education or entertainment) and the actions they are to take (write an article or do an interview) are logical, easy and quick.

You give the media what they need and they’ll give you what you want which is bona fide objective editorial high value content laden coverage that promotes the book and the author.

You give them a pitch that looks like an ad, you’ll get a response from their advertising reps. They’ll basically tell you, if you want an ad, pay for it.

How Important is a News Release?

A news release is the key deliverable for those seeking publicity (much like a résumé is for job seekers, or a contract is for contract seekers).

If a news release works you can get an article in a newspaper, an interview on radio or TV and information about you will be placed in front of an audience of people who can take action based on what they learn about you.

With publicity comes increased interest, name recognition, calls from prospects, sales, and profits. Compared to advertising and direct marketing, publicity is very, very inexpensive to acquire.

The publicity you can generate with a news release can be phenomenally valuable. You can inform people and generate interest in your products and services, educate and entertain hundreds, thousands, even millions of people, drive traffic to a website or get people to attend an event and as a result acquire fame and recognition.

But if the news release fails to capture the attention of an editor or producer, your business, event, or idea may wind up in the trash along with it.

When I published the original Trash Proof News Releases in 2001, the primary ways you could send a news release were:

1. street mail
2. fax
3. e-mail
4. in person
5. telephone

Internet based media platforms and personal communication devices have evolved considerably in the past seven years. In addition to those outlets listed above, we now have:

1. web pages
2. regular search engines
3. news search engines
4. specialized search engines
5. online libraries, directories, databases
6. newsletters and ezines
7. discussion groups and mailing lists
8. forums
9. audio and podcasts
10. video (You Tube)
11. chat rooms
12. blogs
13. social media (MySpace, Facebook, LinkedIn, Twitter, etc)
14. cell phones and PDA’s

The technology continues to evolve, get smaller, and faster. The way we receive news continues to change.

But the message you create when you send a news release to persuade media to give you exposure is the crucial starting point. What you write, say, or look like influences their decision and if they decide in your favor people get to read, watch or listen to some version of your message. Your news release to the media is the key – the crucial proposal that determines what media do.

What you place into a news release determines whether you get media coverage. If the message is deemed newsworthy, you can fly across the media and soar to majestic heights like an eagle in the wind.

If the message fails to incite media interest, then it sinks like a rock in a pond, never to see the light of day again.

The successful news release provides a story arc, anticipates questions (who, what, where, when, why, and how?), triggers an emotional connection, and leads the media who reads it to a decision to share you and your message with an audience of people.

In the face of the hundreds and even thousands of other people competing for media attention, this is no easy task.

Oftentimes, you’re trying to capture all the most meaningful aspects of your life’s efforts in one single phrase. You must outshine all the other twinkling stars in the night.

The success of a news release resides primarily in the quality of the copywriting. It must address the needs of the media outlet, its sponsors, and its audience. Those audience members can tell the difference between content and advertisement pretty easily, so your news release must be pitched perfectly if it’s going to accomplish both your aims and the media’s. It must be concise, easy to understand, interesting, believable, value-laden, and actionable.

That’s what you need to do when you create a news release.

I’ve just uploaded a new updated ebook version of my book Trash Proof News Releases to my web site.

It’s a free pdf file download that captures many years worth of lessons learned doing publicity for creative people. It’s also got numerous examples of successful news releases and interviews with over a hundred media people on what it takes to be successful.

Please feel free to share this link with anyone who can use the education.

http://www.directcontactpr.com/files/files/TrashProof2010.pdf