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Getting the Best Publicity

Guidance, strategy and steps to getting the best publicity

Getting publicity for books with “edgy” content

Getting publicity for books with "edgy" content can be very difficult

Publish-L author asked a question whether to include sex, violence, drugs and “edgy” content in a new Young Adult title. I offered up some thoughts from a publicity perspective.

Most of the prime media reviewers and many of the Internet and bloggers represent the socially conservative family oriented (hence G-rated) perspective. They actively embrace the clean and wholesome.

I have yet to see YA books that contain violence, sex, drugs and four letter words do particularly well with media. It seems that most of the adults simply nix the idea of sharing books that contain these elements with others. They cater to their audience preferences and opt for the safe and easy to promote so that they don’t suffer criticisms from those who find these elements distasteful.

Basically, while you may be able to persuade media people to take a look using news releases and phone calls that describe the books but don’t reveal or utilize these elements, once they get the book in their hands and see what it contains, you run a major risk of then being unable to get any positive reviews, and may in fact find yourself having to deal with the consequences of negative reviews.

Not that this should stop you, it’s just a factor I recommend you consider. My kids still rave about the Alana series, and witness the success of The Hunger Games. These books contain sex, violence, highly questionable behavior. Of course, quality content, style, and action packed edge of your seat writing may be playing so much more of a factor that reviewers will overlook any incidental elements they find to be distasteful within. And if the books are so good people will rave about them to each other in spite of their “edginess”, then you might not care about what media say, and in fact, it may not matter.

One of the other Publish-L participants noted that even the NY Times covers Young Adult books that contain sex, violence, and drugs.

This is true. It’s also not particularly relevant to the issue of promoting a new book from a lesser or unknown (or heaven forbid – self-published) author that contains these elements.

My point isn’t that you can’t get media to play with you once you climbed the mountain and achieved the level of a social phenomenon. You can. The fact that you’ve become a best-selling success makes the reporting of that news easy, safe, and trust worthy. The media are reporting facts. They are no longer taking a gamble on the book or the author. There is very little risk to them for publishing the news on this basis.

My point is that until you do so, getting media to play with you will be very difficult. After the fact reporting of success is much easier to acquire than coverage that helps you achieve success.

Persuading the media to give you media coverage before you’ve acquired a track record means you need to communicate and validate the quality, the value, and the importance of the writing and contribution without being able to demonstrate that tens of thousands of people agree with you and do in fact love what the author has created.

My point is that when you promote a book (or anything else for that matter) and seek to get media to share information about the book and the author, media look at that idea as a proposal for media coverage. You’ve got to answer to the three main questions that they use to make decisions correctly. These are:

1. How many people in my audience will be interested in this?
2. What’s in it for my audience?

The answer to both these questions has to be:

1. A LOT OF PEOPLE; and
2.. A LOT OF VALUE

Then you get to the third question the media asks.

3. What does it cost me to do my job?

The answer to this question has to be:

VERY LITTLE

This is because media editors will only invest staff time, energy, and publication resources into articles that help them sell more subscriptions or get more advertising, since that’s how they make their income and survive and thrive.

Good luck trying to persuade media to review a new just published book or interview an author of an unknown author of a book that’s filled with sex, violence, and drugs.

Can you imagine the how editors wince and cringe when little old ladies and god-fearing parents call up or write in and say they will no longer buy the publication because they are promoting such awful stuff?

Editors and producers will not give people coverage if doing so threatens their publishing income. Reporters and columnists won’t take the risks when they are so easily fired and replaced.

Yes, it’s sad that the world is like this, but this is the way it works and this is what really happens.

The point is that as writers and authors we get to make decisions about what to place into our works. We can think ahead and recognize what the people we will use to promote need to be successful and we can design, create and incorporate the elements that will enable them to utilize what we offer.

We can think ahead and do our best to write to sell. You just need to do so with your eyes open.

If you don’t think ahead and you create books that contain risky topics or course language, and you do so to express yourself or drive whatever points or agendas you may have, well, that’s your decision. It’s your publishing business and you take the risks. It’s your choice.

Just don’t be surprised when you then try to promote it and find out that it’s really hard to succeed.

Vince Flynn Interview in USA Today

Vince Flynn Interview in USA Today

One of the best tactics I recommend to people is that they create Google News Alerts on their favorite authors and study the media coverage they get. That’s how I discovered this one.

If you write thrillers (or even if you don’t) you cannot afford to miss this incredible interview with author Vince Flynn in the Feb 6 USA Today book section.

http://www.usatoday.com/life/books/news/story/2012-02-06/vince-flynn-books/52979550/1
or http://goo.gl/G25M6

His advice to writers is great and from a PR perspective, I feel that his performance in the interview was excellent. It’s worth studying a master at work. He’s written 13 best sellers.

Here is one of the best examples about how to be educational, engaging and galvanizing I’ve seen by any author.

The interview is three minutes and forty-five seconds. I not only learned something, but was truly impressed with his knowledge, personality, depth of conviction and his enthusiasm for what he is doing.

He was asked three questions, and he spent one to two minutes more or less, answering each question.

I was tickled to see how he handled a question from the USA Today interviewer, that he apparently had never been asked before – “What is it about your stories that brings the reader in?”

For those of you who have worked with me, I challenge you with this very same question “what do you do that turns people on?” whenever we seek get media coverage whether it is for a review, a feature story, or an interview.

His answer and what he says about successful writing is worth studying carefully.

This is a great example for aspiring authors, not only about how to write a good book, but how to do an excellent media interview.

It worked, too. I went to Costco and bought the book Kill Shot.

Knowing versus doing – knowledge versus the application of knowledge

Knowing versus doing - knowledge versus the application of knowledge

An author came to me with a half written book and said what do you think?

I asked him what qualifications and experience he had to write this book? Why should people believe him?

He said, “I self published 3 books and read 25 marketing books and attended half a dozen seminars”.

I asked do you teach? Do you speak? Do you consult and practice? Do you work with clients and success stories you can tell?

No, no, no, no, and no.

I advised him that he may have difficulty getting people to buy his book when he finished it.

Knowledge is not powerful in and of itself. The application of knowledge is what is powerful.

There is a difference between being a student and being a teacher and being a practitioner.

People know it when they see it. Do what you are best at.

WSJ article about how to write a great novel

11 top writers reveal how they write

A Book Publicity Success Story for a book published over ten years ago

A Book Publicity PR Success Story - about a book published over ten years ago

I just had to share this one hot off the press.

About a month ago I wrote a news release for client Susan Casey, author of the book Women Invent! The book was first published in 1997.

I decided to create a feature story and I worked with the author to develop quality detailed content with an offer of photos highlighting the accomplishments and achievements of famous women inventors from the past 100 plus years. We sent out the news release email html in early February to a custom list of science, education, and women’s media nationwide.

Here’s the link to the article published yesterday March 31, 2009 in Fast Company Magazine:

http://www.fastcompany.com/article/some-greatest-inventors-were-women

Lesson learned – the age of the book doesn’t matter. Galvanizing content and timeliness matters.

March is Women’s History Month.

Good to the last drop!

If anyone wants to see the news release pdf file please send me an email.

Paul J. Krupin – Direct Contact PR
Reach the Right Media in the Right Market with the Right Message
http://www.DirectContactPR.com Paul@DirectContactPR.com
800-457-8746 509-545-2707
http://blog.directcontactpr.com/

Smart, Intelligent, and Broke… and What to do about it

Tactics for creating a writing or services business that makes money and helps the people you can help the most

I’m a copywriter and a publicist and an author so I guess I do make a living writing. I’m happy to share with you what I’ve done and what I’ve learned.

I wrote my first news release in 1977. I went online with my first website in 1993. I’ve built up my copy writing and publicity services company at home and online over the past 15 years.

You can read the story about how I created my business in the book “Chicken Soup for the Entrepreneur’s Soul” published by Health Communications in November 2006. It’s titled `Ripples’. Fun story.
If you want to see it click here Ripples

The marketing I do is pretty nominal but it is consistent, and I take baby steps to keep it going nearly every day.

I’m of the belief that if people and companies have employees doing work that you can do and have more work that you can do than they have employees available to do that work, then getting paid is easy.

Can you do it?

Yes you can!

You just need to present them with a very desirable alternative turnkey to hiring you as an employee. Make it attractive and make it easy and it’s a done deal.

I’ve found that if they have employees doing something, then outsourcing to you is often a very attractive option. You can normally charge four to six times the hourly rate of pay that they pay full time employees to do exactly the same work, but without them having to carry the overhead that they have to carry for an employee. So if top technical or professional employees are making $50 an hour, then you can charge $200 an hour. Most companies will not bat an eye at these rates these days. You can run the numbers and see, at these rates, it’s not hard to bill over $100,000 a year and do it part-time from home. The Internet and email can be a wonderful place.

So no matter what the employees or you do, you can create a short menu of options and fees that break both the services you will provides (just like an employee performs, or the deliverables they create), and format this into a short list of the fee based time or product deliverables that you can perform or deliver on demand or by schedule.

So instead of a resume, create a one page brochure that says “menu of options”. Then itemize options so people can hire you in bite size chunks of payable time or for products or services by known typical units of performance (by the hour, by the day, by the week, by the page, by the document, or whatever).

This menu allows you and the client to select what you do and price it in advance, and build this into a one page contract or an email or even a phone call.

I’ve found that the best marketing tactics that work in this business are ones that allow you to leverage professional branding with your target audience. You should not waste time, effort and money unless it brings a professional branding message in front of someone who will potentially be amenable to doing business with you.

So I recommend you experiment, test and most importantly and track and analyze what you do, to identify how you are getting clients and where the biggest income streams come from. Then apply the basic rules of systematic continuous improvement to what you are doing. Simply put, if it works, do more of it, and if it doesn’t stop and do something else.

You can use my business as an example. To this day, I get most of my new business by:

* meeting people at conferences at which I exhibit, and giving short but personal consults on the fly, and once I hear what they are all about giving them recommendations that help them a little and indicate what they can get by involving me more.

* writing and publishing articles (problem solving tips articles) in magazines, to demonstrate skills, expertise, ability, knowledge and wisdom, and create desire once they realize they want more of what I can offer.

* posting articles and responding to posted questions in newsgroups and on discussion lists, to do the same.

* adding more free articles and free downloads to an extensive highly educational and focused website, to educate and motivate people to do more themselves, or hire me if they can’t do it themselves.

* adding more success stories and testimonials to my portfolio, to again demonstrate and affirm.

* sending really value added email introductions to prospects, to supply them with a plan of action that leads them to hire me.

* doing 30 minute consultations by phone, learning what clients need and delivering strategic advice and one page action plan proposals by email.

* answering prospect questions as though I was already working for them.

* carefully cultivating word of mouth off prior exceptional performance.

* speaking engagements, giving workshops and training sessions for free and for fee, but only to the right targeted company or audience.

* meeting people for lunch and listening to their project needs or dreams.

* sending them one page email proposals.

* building off referrals, and speaking engagements, and seeking to leverage host beneficiary relationships.

This last one is perhaps the most crucial. As you satisfy clients, of course, you can get repeat business. If you do work for a headquarters or a home office of a company with lots of offices all over the country, your host contact can lead you directly to many other prospects. You then get to pitch them all or better still, the headquarters contact shares you and everyone in that business network then contacts you. This situation can be phenomenally beneficial. Lucrative in fact. Same thing can happen with speaking engagements at associations. The local speech or workshop travels up to the headquarters.

Once every few years I create an innovative post card and do a mailing. My most recent mailer was a one pager back-to-back. If you want to see my most recent one, send me an email message request and I’ll send you the pdf file. I was using US Mail for mailings until two years ago. Now we participate in coop mailings and use email.

Nowadays I also use a show off business card. It has a picture of me fishing. It’s a memorable experience to look at and to hold. It brands me as a distinctive writer.

I use email, short letters and one page business proposals extensively to close deals by email and phone. In fact, I have a rule which basically says that you never have a conversation with a prospect without making a customized personal proposal. It works very well.

I actually don’t need or use formal contracts at all. I just take credit cards and bill them at the time of performance. I take very few checks and only in advance if the client insists upon paying that way. Client satisfaction with this arrangement is nearly 100 percent for many years now.

I spend NO money on advertising at all and do not care about search engine placement or ad words. Clients who call me have either heard about me or find me online through research or referral. They basically have decided to hire me before they call me so I actually do very little selling.

I’ve actually found that in my business, the people who search using search engines aren’t the clients I seek to work with. Most of them don’t have the products or businesses that I enjoy and can be successful with. The people who find my site online rarely are quality clients. So search engine ranking and placement mean very little to me. I can be found very quickly if people search for me nonetheless. In fact, search on my name and you’ll see thousands of links going back 15 years.

I’ve also found that the decision to hire is based on people having convinced themselves that you offer needed value that can be acquired no where else at the costs that you present. What you need to do is just learn how to make the product or service you give remarkable and personal, unique, and phenomenally effective. You also need to learn how to communicate this to them quickly.

Do that and your business will grow consistently with everything you do. The key to enjoying yourself along the way is to simply focus on helping the people you can help the most. You also need to know when to say no to a project that is problematic and where you know won’t be able to satisfy yourself or the client. The rule should be `no unhappy clients’.

I learned this business model by studying a variety of other consultants and copywriters. This model is actually very easy to operate and fairly low cost. I incorporated a few years ago as a full C Corp to take advantage of the tax structure since the business bills over six figures a year. I pay myself a salary. I also just use QuickBooks Pro to do the day to day bookkeeping myself but do hire a professional accountant to do the taxes each year. I use the merchant credit card services offered with Quicken and it does the bookkeeping entries as it processes the credit card authorizations.

The skills I acquired to conduct my business the way I do is mostly out of books. I am a voracious reader. This is in addition to reading or skimming all the client books that come to me (Fed Ex and UPS stop here nearly every day Monday through Friday). I read at the health club, I read during the day and at night, and in front of the TV. I basically am reading (or searching and surfing the Internet) if I am not writing or on the phone.

My house is totally wireless and there are two computers on plus two laptops available for use by me and the rest of the family at all times.

I can even take my cell phone and my wireless laptop in my boat and take client calls and work while fishing along the Columbia River because of the many hot spots and homes with unsecured wireless routers along the river. It’s amazing! The technology really is wonderful these days. That makes for some very pleasant days working (yes really working) while catching salmon, steelhead and walleye! If you’ve ever called me during the day you may hear me tell you that if I get a fish on I’ll have to get off really quick, but I’ll call you back! OK, enough bragging.

I just looked over my library and I highly recommend you basically commit to reading most every business, sales and marketing book published and get whatever you can out of each and every one of them. I still probably spend $100 to $200 a month on books in this area and have for years. My wife says it takes more to keep me well read than it does to keep me well fed. I have a 25 year collection and I still refer back to them constantly.

My favorite book authors and the books I can point you to for the best answers to this question the most are:

* Harry Beckwith (everything he writes is golden including: Selling the Invisible, What Clients Love, The Invisible Touch, and his new one, You, Inc.)

* Bob Bly (again, anything he writes is worth owning. The Copywriter’s Handbook, Secrets of a Freelance Writer, How to Promote Your Own Business, and Write More, Sell More, which is still one of the best books ever written on running a writing business).

* Ralph G. Riley (The One Page Business Proposal is perhaps one of the most important books you’ll ever find. It has made me tens if not hundreds of thousands of dollars).

* Dan Kennedy (The Ultimate and No B.S. series)

* Seth Godin (Purple Cow, Free Prize Inside, and Unleashing the Idea Virus)

* Mark Stephens (Your Marketing Sucks)

* Jay Abraham (Getting Everything You Can Out of All You Got)

* Dr. Jeffrey Lant (this dates me! No More Cold Calls, Cash Copy, The Unabashed Self-Promoter’s Guide, and Money Making Marketing. Good luck finding these but if you do, consider yourself lucky)

* Jeffrey Fox (How to Become a Rainmaker and How to Become a Marketing Superstar).

If you need attitude adjustment to get into the right frame of mind for running a business, then I highly recommend:

* Jack Canfield (The Success Principles)

* Napoleon Hill (Law of Success)

* Steven Scott (Mentored by a Millionaire)

* Brian Tracy (Maximum Achievement and many others)

* Chicken Soup for the Writer’s Soul (Jack Canfield, Mark Victor Hansen, and Bud Gardner)

The real trick to reading is that you have to create a written plan with the ideas that come to you.

Reading and not writing simply isn’t productive. Writing a plan of action turns the idea into something tangible. You must add in the tasks and place dates and performance measures so that you know that you have completed the task.

Knowledge is valuable but to turn a fantasy into reality you must take action and try, try, try till you actually succeed.

You need to create two independent processes:

The first is the process for creating quality work (writing) that you can get paid for.

The second is the sales process that you use to get customers and get money.

Once you create these success processes for yourself then you apply technology to get more of each done in less time, with less effort and expense.

In fact, if you do both of these enough, it all becomes second nature, much like riding a bicycle or a car.

At some point, it can even get boring. To avoid losing faith and being unhappy, you have to find your happiness in delivering whatever happiness and help you can to others.

And that is my belief in what life is all about. .It’s my definition of success:

You achieve happiness and success when you help the people you can help the most and get rich at the same time.

The bottom line is that I believe that the opportunities to be a well paid writer right now are simply phenomenal. You can specialize and focus on any one or more of hundreds of markets. The country is huge. There are 300 million people in the US. There are 30,000 towns. There are simply millions of companies all of whom can be helped again and again.

Don’t be shy. This isn’t that hard to do and you’ve got the skills. Focus and go for it.

Hope this helps. Questions welcome!

Paul J. Krupin – Direct Contact PR
Reach the Right Media in the Right Market with the Right Message
800-457-8746 509-545-2707
Paul@DirectContactPR.com

Why News Releases Fail- Free ebook and Powerpoint presentation

20 + fatal errors people make writing news releases and what to do about them

This is one of my most popular articles turned into a Powerpoint presentation and an ebook pdf file.

Why News Releases Fail

Free Powerpoint Presentation here:

Why News Releases Fail Powerpoint Presentation

Free ebook pdf file here:

Why News Releases Fail ebook pdf file

Realistic chances of success for a memoir

Tips on how to help guide an author of a self published memoir

Here is my November 21, 2008 response to a post to the online discussion group Small-Pub Civil at Yahoo groups:

>>Hello, everyone! One of my authors has written a 250+ page book about his open-heart surgery. The bulk of it is autobiographical, including childhood memories, interviews with
everyone from the surgeon down to the cleaning staff and an entire chapter of get-well emails from his friends (he has their permission, BTW). Since he produces and hosts a long-
running regional TV show with a reasonably-sized fan base and is promoting the hell out of the book, I am confident he will sell a few thousand copies. But he’s expecting big-time
national success, including being stocked in the chains and selling on QVC. He is seriously counting on coverage in the NYT.

>> When I try to point out that this is unlikely he accuses me of negativism. Am I just being negative?

———————————

I encounter this with authors all the time. It goes with the territory. It could be a truly remarkable memoir. It might contain experiences that can make people smile, cry and laugh as they read. But then again, he may not yet have gotten any meaningful feedback from people, or the feedback he has received may be designed to make him feel good and congratulate him on his effort and accomplishment with having written a book.

I wrote an article to try to get people to grasp the significance of their dream and what it means to them if they really want to see other people appreciate their writing, especially if they really intend to now use that writing to achieve fame and financial success.

I work with hundreds of authors and publishing companies each year and really and truly, very few of them have really created a book that it good enough to achieve fame, glory and financial success for the author. Most are labors of love. There’s a sizable financial investment and personal emotional investment that’s required to go from “author” to “best selling author” and few really have what it takes to make it through the gauntlet of the marketplace.

What I recommend people do is go slow. Show and tell one on one. It’s possible to learn how to sell. That’s the miracle of the microcosm. If you learn what you need to say to people in your little neck of the woods, chances are you can then say the same thing anywhere and everywhere you go and you’ll be equally successful selling your products wherever you go.

But you need to learn those magic words first.

You have to write to sell, and the job of writing isn’t done until the book sells. This is where most self-publishers go astray. They publish their book without verifying it was really ready for market.

You have to test your ideas and test your product and test your mar-com (marketing communications) on real live people. You need to identify your end users and the people who will buy the book for your users. Then you need to learn what to say to get these people to take the action you want.

Write to sell and test, test, test. Do this in small doses till you get the right buy signals. Reliably. Not just once or twice, but repeatedly and reliably.

Do 25 to 50 POD versions and test it with these important people.

You’ll know by their behavior and response whether you are really ready to publish the book.

If you can’t get people to even look at it, then you’re not done.

If they look at it and put it down, then you still have work to do.

If people look at it and grab it, you might be done. It depends what happens when they then pick it up and peruse it. If they put it down, then you’re not done.

You may have to redesign and re-write it till you know you are done. You have to work with your prospective audience to get real feedback, and you must listen to what people say and address the issues you receive.

This may take a lot of reiterations.

But one thing is for certain, there is a point that you will reach when you know that you are done. It’s a wonderful thing when you get to this point and know it.

Here’s what I’ve observed and experienced.

You know when you are done…

When people look at it, grab it, look at it again, look up to see where the cashier is, and then head to the cashier.

You show your book someone and they hold it close and won’t give it back freely.

You show them the book and they reach for their wallet.

They pick up one book, look at it, and grab four or five of them and head to the cashier.

One person picks up the book, grabs it and heads to find and show his or her friend the book, and they both grab one for themselves and buy it.

You know that you have something when kids pull it off the shelf and haul it over to their mothers and fathers with a look of desire and wanting and excitement in their eyes that says please????!!!!

I call this the hoarding syndrome. What you are witnessing I call a clutching response. It occurs when people touch something and decide that they want it.

This behavior in people clearly indicates to you that the book or object they are holding has such inherent value and importance that they are willing to pay for it. They know it and you know it instantly. They clutch the object of their desire in their hot sweaty hands and pull it in close to their body as if to possess it and protect it.

I know you’ve seen this and even experienced it yourself. You see it in stores and shopping centers all the time. I see it when my wife and teenage daughters shop. I know from their behavior when I’m toast. There is no arguing with them once they’ve experienced certain hormonal reactions to objects that they’ve been in close physical contact with. That’s they way we humans respond to certain material experiences.

Other people here have no doubt experienced this in a variety of ways. It would be very cool to hear from people about when they knew that they were done.

I work with a lot of authors and publishers, and I see success a lot less frequently that I wish I would see. I attribute this to people rushing through to publishing their books without making sure they have created a product that people will actually buy.

So this is my bottom line advice:

Write to sell. Don’t stop writing and re-writing till you know it sells, and sells easily and continuously.

Prove it with small test POD numbers. Use the technology that is available to all of us wisely. Then move it up through the publishing and promotion chain level by level.

In most cases, the author thinks the book should excite and grab people. But it doesn’t always happen that way.

So to me, they still have work to do. But they can’t speculate about what’s wrong, they need real data.

This is what I tell people to do – get the data. Figure out what you need to say and do to produce action that will satisfy your stated goals and objectives:

Go ask your candidate customers. Ask until you are blue in the face and get the hard difficult data and feedback you need to redesign and redo your project.

I had a recent publisher come to me with a book which presented his ideas on how to have a successful marriage by using a marriage contract.

Myself, I’m a former attorney and I would not pick up a book that had a marriage contract in it.

Do people want to run their marriage off of a contract? Like it’s a job or a construction project? Do they want to reduce communications and relationships to policies, procedures and stipulated provisions?

When we looked at our marriage vows, my wife said “strike the obey” and I said “and add in this here dispute resolution clause”.

And that’s what the minister did, and we still live by those words.

And that was the oral vows.

Put it in writing? Something doesn’t fit in the picture. Like ‘what’s love got to do with it?’

This is the type of process most people go through when they contemplate buying a book.

Do I want to get married to this person and his or her ideas? Even if I can get divorced from them later?

You are not done until people fall in love with your creation. You’ll know it only when it happens.

How to write a best seller

How to write so that you achieve the action and response you want

On one of the discussion groups I participate in we’ve been talking about writing and selling.

Firmware replied:

> So enlighten us. How would we have recognized THE DA VINCI CODE,
> which really is a preposterous book, as a bestseller when it first
> started circulating in MS?

I’m a real student and believer in the science and psychology of communications, whether they be written oral, and visual. Words trigger interest and even action. Some words are more powerful and effective than others.

Write a check for $1000. How many words on the check? And you know what happens so it’s a reliable repeat action. We’ve built an entire economic system based on a promise to pay for value received. It’s really quite remarkable what a few well written words can do.

Words can motivate.

Look at the Declaration of Independence. Look at what a few carefully constructed words can do. Can you guess how many draft versions it took for Thomas Jefferson and John Adams to get it right?

You can learn how to write to produce action. You can test the words until they produce the response you seek.

Turns out that Dan Brown was one of my clients in the pre- Da Vinci Code days. I’m mentioned in the acknowledgements of the prequel, Angels and Demons. (Go and look if you have a copy!)

I and my family (two teenage girls mind you and a dietitian wife) loved that book because it’s a thought provoking book and a good action packed thriller. Preposterous? Fact or fiction, who cares? It’s a good book and it’s fun to read. That’s why it sells. It’s so enjoyable and provocative to read that stimulates discussion in the marketplace of ideas.

For any book an author writes that’s what will create and drive interest and sales. That’s the excellence in your writing that you need to instill and you’re not done until it happens.

But Dan was a poor starving writer of many books before he wrote the blockbuster. He and his wife Blythe worked very hard to achieve success. They worked and reworked those early writings till they had what it took to get the right publisher to take on their project.

I believe that you can design and even engineer results based on what you write. I see it in all the creative works produced by my clients day in day out. That’s what speechwriters do for politicians.

You have to pay attention to the people you are trying to motivate and please. You have to have a goal of triggering a certain action. You help the people you can help the most. You educate the people you can educate the most. You entertain the people you can entertain the most.

You do the very best you can. You don’t write and publish and then try to sell. This of course is what many authors do.

You write, test, test, test, and only when you know the action you get do you then seek to publish and sell.

You write and then revise, revise, revise and improve, improve and improve till you get the action you want when people look at what you’ve written.

You go the distance to where the snowball you’ve been pushing up the hill begins to move on it’s own.

You have to identify the pool of people you are aiming to please. If it’s cookbooks, it’s people who cook. If it’s science fiction, it’s people who read science fiction. If it’s top literary agents, then it’s top literary agents.

If you write a book and show it to 20 people in the right pool of people and ten of them truly rave about it, and it results in 60 people asking for it (since each convinced 3 other people they had to read it), then maybe it’s time to show it to ten agents.

But if you show it to 20 people, and you get a lukewarm response, then maybe you need to revise it and improve it till you get the raving response you need.

That’s how you recognize that you’re in the right position to publish and have a reasonable confidence of success.

Look at the story by Lynn Neary on NPR July 31, 2008 about Brunonia Barry launched her self-published novel, The Lace Reader, into the big leagues.

http://www.npr.org/templates/story/story.php?storyId=92934202

Pretty good illustration of the principles in my article The Magic of Business. Look at what she did with her first writings. Look at the effect her books had on the people they wanted to reach.

The interview indicates that they knew what they had to do. They sought to please their readers in the book clubs and the booksellers. Then they saw the agents fighting over the book, and even the publishing companies in the bidding war over the rights to the book.

You can set this as your goal and believe that you can do this. You have to hone you craft and writing skills, and also focus on taking your writings to the right people once you find out that your writing has the effect needs to have on people in the market place.

The beauty of testing in it the microcosm of wherever you are is that you can get the feedback you need and then revise, revise, revise till it really sings.

Then you can test it and test it and test it again so you prove reliably that it does indeed produce the action you want people to take when they read it.

And in a nation of 330 million people, the potential is huge.

And if you translate it into Chinese, there’s another 300 million waiting for you across the Pacific.

You start local and aim global.

The beauty of the opportunity of being alive today is that you get to try.